Exciting young American cellist Ben Capps enjoys a versatile performing career as a soloist and chamber musician. His artistry has been praised as “most appealing” by the New York Times, “virtuosic and impassioned” by the Barre Montpelier Times, the Holland Times hailed Capps as a “young cello phenomenon from New York” with “dazzling technique and a fearsomely meaty tone”, and the Epoch Times proclaimed that “Capps has it all . . . cello playing of the very highest standard.” He has performed in varying capacities at Carnegie Hall’s Stern Auditorium, Weill and Zankel Halls, Lincoln Center’s Avery Fisher Hall, Alice Tully Hall, the Kennedy Center for the Performing Arts in Washington D.C., Mann Hall in Tel Aviv, Meyerson Hall in Dallas, and the Auditorio Nacional, the Palace of Fine Arts and Sala Nezahualcoytl in Mexico City. Capps has appeared as soloist with the Philharmonic Orchestra of the Americas, the New York Concerti Sinfonietta, the Manchester Music Festival Orchestra, Juilliard Pre-College Symphony, and the Manhattan School of Music Composer’s Orchestra. Recent performance highlights include an unaccompanied recital tour in the Midwest , a recital tour of China (Xiamin, Fouzhou and Gulangyu), and recital appearances in New York, Greece and Spain as well as a performance of all five Beethoven sonatas and more in Vermont.
In September 2014 LP Classics released Ben Capps’ newest disc: Ossia, music of Bach, Schumann & Fitzenhagen for solo cello & company. Ben Capps can also be heard on Innova Records with two discs of music for solo cello by contemporary composer Andrew Violette & on Tzadik Records with a collaborative cello & electronics piece by Anna Clyne called Fits & Starts which was featured for a week on WQXR in New York.
At age 21, Capps was appointed principal cellist of Philharmonic Orchestra of the Americas, a dynamic New York based symphony orchestra founded by conductor Alondra de la Parra, whose highly regarded premier Sony Classics recording Mi Alma Mexicana attained high international status.